By Ryan Thompson, The Punk Rock Libertarian
Published on Disruptarian.com
They laughed at us when we first said it.
Back in 2018, I dropped a video exposing the bizarre, Babylonian-rooted, homosexual ritual culture bubbling beneath the surface of Hollywood and the rap game. People said I was crazy, conspiratorial, or worse—homophobic for even suggesting that sex, control, and power were being wielded as weapons in ritualistic ways by entertainment elites.
Well, fast forward to 2024. Enter: Sean “Diddy” Combs.
Now suddenly, all those whispers that folks were too scared to repeat out loud are headline news. Reports are spilling out like busted floodgates: initiation orgies, power plays cloaked as “parties,” forced participation in humiliating sexual acts, and strange coded language like “gravy”—all forming part of a disturbing system of domination, silence, and compromise.
This isn’t about sexuality. It’s about control. And whether you’re a wide-eyed Disney starlet or a hardened street rapper, once you step through the doors of Hollywood or the music industry’s inner sanctum, you’re being watched, weighed—and if you want the fame, you’ll play the game.
Babylonian Gods, Broken Souls
The ritualistic aspects of this phenomenon aren’t just accidental. They’re ancient. Babylonian mystery cults, secret rites, inversion of the natural order—this stuff is old school. And it didn’t disappear. It just rebranded itself with red carpets, Grammys, and casting couches.
These rituals are designed to break the initiate—to shame them, humiliate them, and, most importantly, compromise them. Because once you’ve crossed certain boundaries—especially publicly—you no longer own yourself. You are blackmail bait.
As we’ve seen reported with Diddy, these so-called “freak-off” parties weren’t orgies for pleasure—they were power rituals. They were about submission. Bringing in younger artists, “mentoring” them, and then coercing them into acts that would later be used to control or silence them.
What’s even darker is that these events are not limited to one genre or one scene. It’s hip-hop, it’s pop, it’s film, it’s fashion. And it’s been happening for decades.
From Prince to Pac: The Ones Who Spoke Out
We’ve had warning signs for years.
Prince once said: “Don’t sign with the slave masters.”
2Pac accused music executives of corrupting black culture, turning artists into mouthpieces for decadence and degeneracy.
Kanye West—despite his many contradictions—has said time and time again that “they” tried to silence him, control him, even drug him.
But what happens to artists who won’t comply? They get blacklisted. They disappear. Some end up dead, their legacies twisted, their voices silenced.
This isn’t hyperbole. This is the pattern. The price of resistance is often your career—or your life.
Why the Homosexual Element?
Let’s address the elephant in the room.
Why are so many of these alleged rituals centered around same-sex acts?
Because it’s taboo. Because it inverts natural hierarchies. Because it disorients the initiate. And because, in many of these cases, it’s done against their will. It’s not about being gay. It’s about being broken.
When your entire industry revolves around conformity and control, the ones who run the show want leverage. Nothing creates leverage quite like filming you in a room you don’t want to be in, doing things you swore you’d never do.
That footage becomes the leash. And the leash ensures obedience.
This is why the term “gravy” became a buzzword among industry insiders—it’s slang for these dark rituals that “lubricate” your way into fame. And no, that’s not metaphorical.
The Illuminati as Control Mechanism
The word “Illuminati” gets thrown around a lot. People hear it and think pyramid eyes and Alex Jones rants. But historically, the Illuminati was a real 18th-century secret society founded in Bavaria to infiltrate institutions and steer ideology.
Sound familiar?
The entertainment industry has become one of the most powerful ideological weapons in modern history. From shaping youth culture to shifting morality, Hollywood and hip-hop hold more influence than Washington, D.C.
So why wouldn’t those who seek power use it as their playground?
The hand signs. The symbolism. The one-eye shots. The all-seeing eye. You can dismiss it as art if you want, but when it's being repeated across all media, by all artists, from all labels—that’s not coincidence. That’s branding.
Voluntary Slavery in the Land of the Free
What makes all this even more grotesque is that we call this “entertainment.”
We have young artists desperate for stardom, voluntarily handing themselves over to handlers, producers, and executives who see them as nothing more than vessels—tools for influence, profit, and worse.
These artists often come from broken homes or economically desperate circumstances. They’re looking for opportunity. But what they find is exploitation dressed up in lights, champagne, and empty praise.
It’s a new kind of slavery—voluntary, ritualized, and spiritually corrosive.
What Libertarians Should Learn From This
You might be wondering why a libertarian is talking about this.
Because this is what statism of the soul looks like.
It’s the ultimate centralization of power—hidden, unaccountable, and cultural rather than governmental. It’s elite cartels ruling over the minds and bodies of the population by controlling the cultural narratives we consume.
It’s also a brutal reminder of what happens when people sell their liberty for fame, power, or security. And that’s a lesson we must hammer into the next generation: if you don’t own yourself, someone else will.
Shine the Light—And Burn the Curtain
We’re not talking about some petty TMZ drama. This is a systemic cultural rot. A machine that devours talent, extracts influence, and spits out the broken remains of once-free individuals.
The Diddy case is just the beginning. More will come. Whistleblowers will rise. And the machine will fight back. But the curtain’s already torn—and we must keep pulling.
We’re not doing this for clicks or conspiracy street cred. We’re doing it because freedom—real freedom—means liberty in every domain: political, economic, cultural, and spiritual.
No gods, no masters.
No handlers, no secret handshakes.
And no tolerance for abuse masquerading as art.
Final Thoughts
For years, people mocked those of us sounding the alarm on ritualistic abuse in Hollywood and music. But the evidence is surfacing. The stories are aligning. And the victims are finally speaking out.
The question is—will you listen now?
Will you demand transparency? Will you support independent artists who walk away from the machine? Will you boycott the soulless, factory-made propaganda being passed off as “entertainment”?
Or will you keep feeding the beast that eats your culture, your morals, and your liberty?
The choice is yours. But know this: liberty begins where the lies end.
And we’re here to end them.
—Ryan Thompson, The Punk Rock Libertarian
Disruptarian.com
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