{"id":12677,"date":"1970-01-01T00:00:00","date_gmt":"1970-01-01T00:00:00","guid":{"rendered":"https:\/\/disruptarian.com\/blog\/streaming-reggaes-golden-years-how-trojan-records-catalog-is-dominating-the-digital-age\/"},"modified":"1970-01-01T00:00:00","modified_gmt":"1970-01-01T00:00:00","slug":"streaming-reggaes-golden-years-how-trojan-records-catalog-is-dominating-the-digital-age","status":"publish","type":"post","link":"https:\/\/disruptarian.com\/blog\/streaming-reggaes-golden-years-how-trojan-records-catalog-is-dominating-the-digital-age\/","title":{"rendered":"Streaming Reggae&#8217;s Golden Years: How Trojan Records&#8217; Catalog is Dominating the Digital Age"},"content":{"rendered":"<p>[ad_1]<\/p>\n<p>Wah pasa' goin' on, mon? When it comes to <a href=\"https:\/\/network.landr.com\/users\/disruptarian\/\" target=\"_blank\" rel=\"noopener\">Reggae<span class=\"wpil-link-icon\" title=\"Link goes to external site.\" style=\"margin: 0 0 0 5px;\"><svg width=\"24\" height=\"24\" style=\"height:16px; width:16px; fill:#000000; stroke:#000000; display:inline-block;\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:svg=\"http:\/\/www.w3.org\/2000\/svg\"><g id=\"wpil-svg-outbound-1-icon-path\" transform=\"matrix(0.046875,0,0,0.046875,0.0234375,0.02343964)\">\r\n                            <path d=\"M 473.563,227.063 407.5,161 262.75,305.75 c -25,25 -49.563,41 -74.5,16 -25,-25 -9,-49.5 16,-74.5 L 349,102.5 283.937,37.406 c -14.188,-14.188 -2,-37.906 19,-37.906 h 170.625 c 20.938,0 37.938,16.969 37.938,37.906 v 170.688 c 0,20.937 -23.687,33.187 -37.937,18.969 z M 63.5,447.5 h 320 V 259.313 l 64,64 V 447.5 c 0,35.375 -28.625,64 -64,64 h -320 c -35.375,0 -64,-28.625 -64,-64 v -320 c 0,-35.344 28.625,-64 64,-64 h 124.188 l 64,64 H 63.5 Z\" \/>\r\n                        <\/g><\/svg><\/span><\/a> music, there's no denying that the golden years of the genre were dominated by <a href=\"https:\/\/open.spotify.com\/playlist\/71cXoIM7SDngfmJoxn2USY\" target=\"_blank\" rel=\"noopener\">Trojan Records<span class=\"wpil-link-icon\" title=\"Link goes to external site.\" style=\"margin: 0 0 0 5px;\"><svg width=\"24\" height=\"24\" style=\"height:16px; width:16px; fill:#000000; stroke:#000000; display:inline-block;\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:svg=\"http:\/\/www.w3.org\/2000\/svg\"><use href=\"#wpil-svg-outbound-1-icon-path\"><\/use><\/svg><\/span><\/a>. Now, you may be wondering what in the world I'm talkin' 'bout, but just bear with me, &#8216;kay?<\/p>\n<p><\/p>\n<p>Trojan Records, founded by Chris Blackwell and Lee Gopaul in 1968, was the go-to label for some of the most iconic reggae artists of the 1970s and 80s. Think Bob Marley, Toots and the Maytals, Peter Tosh, and Gregory Isaacs \u2013 all Trojan Records alumni. And let me tell you, their legendary catalogue is still making waves in the digital age.<\/p>\n<p><\/p>\n<p>In 1972, Trojan released Bob Marley's debut album &#8220;Soul Rebel&#8221;, and it was a game-changer. This album, produced by Chris Blackwell himself, showcased Marley's unique blend of roots, rock, and soul \u2013 and set the tone for the Wailer's subsequent success. And let me tell you, that album still holds up today, with tracks like &#8220;Kaya&#8221; and &#8220;Lively Up Yourself&#8221; continuing to get the masses moving.<\/p>\n<p><\/p>\n<p>But Marley's not the only Trojan Records' star, mon! Toots and the Maytals' &#8220;Funky Kingston&#8221; (1972) is another seminal work that solidified their place in reggae history. Produced by Leslie Kong, this album's fusion of ska, rock, and calypso chops still gets the party started. And don't even get me started on Peter Tosh's &#8220;Throbeats to Congress&#8221; (1977), produced by Tosh himself and featuring the iconic &#8220;Stepping Razor&#8221;.<\/p>\n<p><\/p>\n<p>Gregory Isaacs' love-struck vocals on &#8220;Myee R. Natty&#8221; (1978) are still making hearts flutter. And who can forget the iconic &#8220;Small Axe&#8221; by Eddy Grant (1983), a tune that's been sampled by everyone from Nas to Russian from Deuce?<\/p>\n<p><\/p>\n<p>Fast forward to the digital age, and Trojan Records' back catalogue has never been more accessible. But, you know, nostalgia ain't what it used to be. In today's streaming landscape, it's all about playlists and discoverability. And that's where Trojan Records' digital dominance comes in.<\/p>\n<p><\/p>\n<p>In 2018, Sony Music re-released the entire Trojan Records catalogue, making it possible for a whole new generation to explore the genius of these reggae icons. And trust me, mon, the response has been overwhelming. From TikTok challenges to radio shows, Trojan Records' music has become the soundtrack for the modern rebellion.<\/p>\n<p><\/p>\n<p>So, what's driving this resurgence? For one, the rise of reggae-influenced genres like hip-hop, electronic, and R&#038;B. think Kendrick, Travis Scott, and Anderson .Paak \u2013 all have cited Trojan Records' artists as influences. And it's not just about the music, mon; it's about the cultural relevance, too. The struggles, the politics, and the vibes are all still resonating with today's younger crowd.<\/p>\n<p><\/p>\n<p>But enough of the analysis, mon! Let's get to the good stuff \u2013 the music! Here's some FAQs and reference points to get you in the mood for some serious bossa nova-style island vibes:<\/p>\n<p><\/p>\n<p><strong>FAQs:<\/strong><\/p>\n<p><\/p>\n<p>\u2022 Who founded Trojan Records in 1968? Chris Blackwell and Lee Gopaul.<br \/>\n\u2022 What's the most iconic album in Trojan Records' catalogue? Bob Marley's &#8220;Soul Rebel&#8221; (1972).<br \/>\n\u2022 Who produced Eddy Grant's &#8220;Small Axe&#8221; (1983)? Eddy Grant himself.<br \/>\n\u2022 What year did Sony Music re-release the entire Trojan Records catalogue? 2018.<br \/>\n\u2022 Who's been sampling Trojan Records' artists in their music? Nas, Russian Deuce, and many more!<\/p>\n<p><\/p>\n<p><strong>Reference Points:<\/strong><\/p>\n<p><\/p>\n<p>\u2022 [1] &#8220;Soul Rebel&#8221; (1972) by Bob Marley &#038; The Wailers<br \/>\n\u2022 &#8220;Funky Kingston&#8221; (1972) by Toots and the Maytals<br \/>\n\u2022 &#8220;Throbeats to Congress&#8221; (1977) by Peter Tosh<br \/>\n\u2022 &#8220;Myee R. Natty&#8221; (1978) by Gregory Isaacs<br \/>\n\u2022 &#8220;Small Axe&#8221; (1983) by Eddy Grant<\/p>\n<p><\/p>\n<p>Now, you may be wondering what you can do to get in on this reggae resurgence. Well, I got you covered, mon! Here are some ways to get your groove on:<\/p>\n<p><\/p>\n<ol><\/p>\n<li>Stream the classics: Head to your favorite music streaming platform and search for those Trojan Records' staples.<\/li>\n<p><\/p>\n<li>Dive into the new generation: Explore modern artists influenced by Trojan Records, like Khruangbin, Chronixx, or Protoje.<\/li>\n<p><\/p>\n<li>Get Turnt Up: Attend reggae festivals, watch live streams, or dance it out at your local club \u2013 it's all about the vibes, mon!<\/li>\n<p><\/p>\n<li>Spice It Up: Experiment with blending traditional reggae with other genres \u2013 it's all about fusion, mon!<\/li>\n<p><\/p>\n<li>Keep it Relevant: Stay updated on the reggae scene through social media, blogs, and online forums.<\/li>\n<p>\n<\/ol>\n<p><\/p>\n<p>There you have it, mon, a brief history of Trojan Records' golden years. It's time to get reacquainted with the sound that started it all. So, grab a cold one, put on your dancing shoes, and get ready to get lost in the hypnotic rhythms and intoxicating vibes of reggae. Colombia, mon! <\/p>\n<p><\/p>\n<p>References:<\/p>\n<p><\/p>\n<p>[1] &#8220;Soul Rebel&#8221; (1972) by Bob Marley &#038; The Wailers, Trojan Records.<\/p>\n<p>streaming-reggaes-golden-years-how-trojan-records-catalog-is-dominating-the-digital-age<\/p>\n<p>[ad_2]<\/p>\n    <ul class=\"prli-social-buttons\">\n              <li>\n            <a class=\"pl-social-facebook-button\" href=\"http:\/\/www.facebook.com\/sharer.php?u=https%3A%2F%2Fdisruptarian.com%2Fblog%2Fe7se&#038;t=Streaming+Reggae%5C%27s+Golden+Years%3A+How+Trojan+Records%5C%27+Catalog+is+Dominating+the+Digital+Age\" rel=\"nofollow\" target=\"_blank\" onclick=\"javascript:window.open(this.href, '', 'menubar=no,toolbar=no,resizable=yes,scrollbars=yes,height=600,width=600');return false;\">\n              <i class=\"pl-icon-facebook\"> <\/i>\n            <\/a>\n          <\/li>\n                  <li>\n            <a class=\"pl-social-twitter-button\" 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<\/div>\r\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[ad_1] Wah pasa&#8217; goin&#8217; on, mon? When it comes to Reggae music, there&#8217;s no denying that the golden years of the genre were dominated by Trojan Records. Now, you may be wondering what in the world I&#8217;m talkin&#8217; &#8217;bout, but just bear with me, &#8216;kay? Trojan Records, founded by Chris Blackwell and Lee Gopaul in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":"","_wpscp_schedule_draft_date":"","_wpscp_schedule_republish_date":"","_wpscppro_advance_schedule":false,"_wpscppro_advance_schedule_date":"","_wpscppro_dont_share_socialmedia":false,"_wpscppro_custom_social_share_image":0,"_facebook_share_type":"","_twitter_share_type":"","_linkedin_share_type":"","_pinterest_share_type":"","_linkedin_share_type_page":"","_instagram_share_type":"","_medium_share_type":"","_threads_share_type":"","_google_business_share_type":"","_selected_social_profile":[],"_wpsp_enable_custom_social_template":false,"_wpsp_social_scheduling":{"enabled":false,"datetime":null,"platforms":[],"status":"template_only","dateOption":"today","timeOption":"now","customDays":"","customHours":"","customDate":"","customTime":"","schedulingType":"absolute"},"_wpsp_active_default_template":true},"categories":[1],"tags":[],"class_list":["post-12677","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/disruptarian.com\/blog\/wp-json\/wp\/v2\/posts\/12677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/disruptarian.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/disruptarian.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/disruptarian.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/disruptarian.com\/blog\/wp-json\/wp\/v2\/comments?post=12677"}],"version-history":[{"count":0,"href":"https:\/\/disruptarian.com\/blog\/wp-json\/wp\/v2\/posts\/12677\/revisions"}],"wp:attachment":[{"href":"https:\/\/disruptarian.com\/blog\/wp-json\/wp\/v2\/media?parent=12677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/disruptarian.com\/blog\/wp-json\/wp\/v2\/categories?post=12677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/disruptarian.com\/blog\/wp-json\/wp\/v2\/tags?post=12677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}